ChickenBones: A Journal
for Literary & Artistic African-American Themes
They should not be so ignorant and arrogant with their stupid support of the Arab
Muslim regimes. French people are hospitable to Black Americans . . . but
have an infamous tradition of brutality and racism towards “African Blacks.”
Books by Kola Boof
Nile River Woman (Poems, Feb. 10, 2004) / Long Train to the Redeeming Sin-Stories About African Women (April 6, 2004)
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Kola Boof Pissed with Harry Belafonte
I was just reading the comments of Harry Belafonte . . . and I am thinking: “Why are these so called Black people taking the side of Africa’s worst and most atrocious oppressors in human history–the Arab Muslim?”
Like so many “Black” North Africans, I am so angry and feel so betrayed that Black Americans are supporting the agendas of racist, evil nations such as Iran, Iraq, Sudan, Saudi Arabia, Palestine, Jordan, etc.
What I notice (and I intend to make a public issue of this very soon) is that all these Black Americans who have marvelous experiences with Arabs are people who would, in our caste system, not be considered “African” black–but “bastardo”, which is more acceptable. Harry Belafonte, Maya Angelou, Louis Farrakhan (and even my hero Malcolm X) look nothing like the African people who are oppressed and enslaved . . . and as well as being “lightskinned”. . . all of the aforementioned people are AMERICAN.
Yet they go visit Arabs, get treated like “honorary whites” for a few months, and they come back and spread the gospel about the virtues of these satanic Arab Muslim governments . . . many of which have Black men’s children chained up to the back doors of their homes like dogs . . . and feed them as such.
They should not be so ignorant and arrogant with their stupid support of the Arab Muslim regimes. French people are hospitable to Black Americans . . . but have an infamous tradition of brutality and racism towards “African Blacks.” I am wondering why the Black Americans do not question this?
What it really means is that the Black Americans are being used . . . they are being used by the Arab governments, because they provide a . . . foothole in America . . . a group of supporters who can be a thorn in the sides of the White King (who granted, is one hell of an asshole and Africa’s second worse enemy).
Mr. Harry Belafonte fails to realize that he, too, is a house nigger. In my country, he would not even be considered a “Black man.” He would be considered “American half-caste” (in Arabic, they would call him bastard the minute they got mad with him). I don’t particularly care for Colin Powell’s policies, but something makes me have more respect for Powell than I do for pretentious people like Belafonte. And I ask the Blacks reading this . . . what do you think would become of your lives if this world were suddenly taken over by Arab Muslims?
Do you really think they would call you “brother” then?
Please don’t be fooled. NO ONE . . . in human history, including the Whites . . . have ever done as much evil or killed and dehumanized more Black people than the Arab Muslims of the world.
This too shall come into the light.
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Belafonte, Harold George (Harry) (b. March 1, 1927, New York, N.Y.), African American singer, actor, producer, and activist, who has used his position as an entertainer to promote human rights worldwide. Belafonte continues to use his power as an entertainer in the struggle for civil rights. His production company, Harbel, formed in 1959, produces movies and television shows by and about black Americans. Belafonte’s idea for the hit song “We Are the World” generated more than 70 million dollars to fight famine in Ethiopia in 1985. Two years later, he became the second American to be named UNICEF Goodwill Ambassador.
Harold George “Harry” Belafonte, Jr. (originally Belafonte; born March 1, 1927) is an American musician, actor and social activist. One of the most successful pop singers in history, he was dubbed the “King of Calypso,” a title which he was very reluctant to accept (according to the documentary Calypso Dreams) for popularizing the Caribbean musical style with an international audience in the 1950s. Belafonte is perhaps best known for singing the “Banana Boat Song,” with its signature lyric “Day-O.” Throughout his career, he has been an advocate for civil rights and humanitarian causes. He was a vocal critic of the policies of the George W. Bush Administration.Wikipedia
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Harry Belafonte, legendary musician, actor and humanitarian. Hes the subject of a new documentary about his life, called Sing Your Song. This interview was conducted at the 2011 Sundance Film Festival in Park City, Utah. Belafonte Whited Out In Oakland / I’m So Pissed Off / Transcript of Harry Belafonte-Larry King Interview
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Harry Belafonte talks Civil Rights Martin Luther King + being Black in 60s Hollywood with The GuardianLeke Sanusi3 July 2012The stately Harry Belafonte is a historical force as well as a creative one. Having sung, danced and acted his way into the history book and the hearts and minds of music and movie lovers over the course of a six-decade career, the towering 85-year-old also marched, picketed and debated his way to changing the course of the world as we know it, playing a seminal role in the fight for Civil Rights.
A stunning triple threat, Belafonte stood, and still stands, as an imposing figure, catching the eye with his undeniable looks, but amazing audiences with his ability to entertain; he is truly a man born for the stage. A theatrical soul and spirit. Developing close relationships with several proponents of the nonviolent factions of the Civil Rights Movement, the son of a Martiniquan chef and a housekeeper of Jamaican descent soon became one of the faces of the battle for equality, standing alongside the likes of the Reverend Martin Luther King, Jr., and Charlton Heston.
An icon, a legend and inspiration, the one-time calypso recording artist has lived through and experienced the tectonic shifts in American culture. Belafonte watched as Reverend King was shot on the balcony of The Lorraine Motel in Memphis. He was 36 when JFK was assassinated in Dallas, 41 when Robert Kennedy was struck by three bullets in a kitchen passageway of The Ambassador Hotel. He celebrated as Lyndon B. Johnson passed the Civil Rights Act of 68, and smiled on with the likes of Joan Baez and Alice Walker at the inauguration of Barack Obama.
The influential performer and activist recounts his experiences and tells the untold story of his life in the critically-acclaimed documentary, Sing Your Song.
The biographical film charts Belafontes growth and development, delving into his upbringing and mapping out the trajectory of his career. Directed by Susanne Rostock, the film begins with Belafontes birth in Harlem and then embarks on the journey of his life, highlighting his efforts in the quest for civil rights.
In a video interview with The Guardians Sarfraz Manzoor and Cameron Robertson, Belafonte opens up about his life, Sing Your Song, and his book My Song: A Memoir of Art, Race & Defiance. He discusses his friendship with Martin Luther King, Jr., his relationship with JFK, and the inhumanity of segregation.
Speaking about his influences and the figures that inspired him to persevere in the face of discrimination, Belafonte explains:
In Harlem I saw all the heroes: Paul Robeson, Jackie Robinson, Joe Louis, Jesse Owens, Louis Armstrong, Ella Fitzgerald. We all lived in the same place; the poor and the rich. Thats not quite the way today. If it wasnt for television, wed hardly know one another.
. . .I was befriended. Paul Robeson was the first one. Then came Dr. W.E.B. Du Bois one of the greatest intellectuals of the 20th century. These men stood strong and tall in the terms of dealing with human degradation and human pain. They did things about it.
Then there was a woman named Eleanor Roosevelt. She was the wife of the President of the United States of America. She threw her lot in with us, and was constantly in our community.
Powerful and impressive as ever, with undiminished gravitas and effervescence, Belafonte explores the culture and atmosphere of his life and times, putting things into perspective and reminding us all of the heroes, heroines and giants of the not-too-distant past.
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By Harry Belafonte with Michael Shnayerson
Here is a gorgeous account of the large life of a Harlem boy, son of a Jamaican cleaning lady, Melvine Love, and a ships cook, Harold Bellanfanti, who endured the grind of poverty under the watchful eye of his proud mother and waited for his chances, prepared to be lucky, and made himself into the international calypso star and popular folk singer, huge in Las Vegas, also Europe, and a mainstay of the civil rights movement of the 60s . . .
His mother found refuge in the Catholic Church. The Holy Roller preachers of her native Jamaica were too niggerish for her. She loved the marble majesty of Catholicism and sent the boy off to parochial school to suffer at the hands of the nuns and took him to Mass every Sunday, dressed in a blue suit, and afterward to the Apollo Theater to hear Cab Calloway or Count Basie or Duke Ellington, Billie Holiday, Ella Fitzgerald. . . . Dr. King is one strong strand in My Song; another is Belafontes family saga through three marriages with four children; another is his inner life, psychoanalysis, the wounds of childhood, his gambling addiction; another, the oddity of show business, the casual flings, the personal manager who turned out to be an F.B.I. informer. Indelible characters pass by: Sidney Poitier, Eleanor Roosevelt, James Baldwin, Bob Dylan, Fidel Castro, Miriam Makeba.NYTimes
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#1 – Justify My Thug by Wahida Clark #2 – Flyy Girl by Omar Tyree #3 – Head Bangers: An APF Sexcapade by Zane #4 – Life Is Short But Wide by J. California Cooper #5 – Stackin’ Paper 2 Genesis’ Payback by Joy King #6 – Thug Lovin’ (Thug 4) by Wahida Clark #7 – When I Get Where I’m Going by Cheryl Robinson #8 – Casting the First Stone by Kimberla Lawson Roby #9 – The Sex Chronicles: Shattering the Myth by Zane
#10 – Covenant: A Thriller by Brandon Massey
#11 – Diary Of A Street Diva by Ashley and JaQuavis
#12 – Don’t Ever Tell by Brandon Massey
#13 – For colored girls who have considered suicide by Ntozake Shange
#14 – For the Love of Money : A Novel by Omar Tyree
#15 – Homemade Loves by J. California Cooper
#16 – The Future Has a Past: Stories by J. California Cooper
#17 – Player Haters by Carl Weber
#18 – Purple Panties: An Eroticanoir.com Anthology by Sidney Molare
#19 – Stackin’ Paper by Joy King
#20 – Children of the Street: An Inspector Darko Dawson Mystery by Kwei Quartey
#21 – The Upper Room by Mary Monroe
#22 Thug Matrimony by Wahida Clark
#23 – Thugs And The Women Who Love Them by Wahida Clark
#24 – Married Men by Carl Weber
#25 – I Dreamt I Was in Heaven – The Rampage of the Rufus Buck Gang by Leonce Gaiter
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#10 – John Henrik Clarke and the Power of Africana History by Ahati N. N. Toure
#11 – Fail Up: 20 Lessons on Building Success from Failure by Tavis Smiley
#12 –The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander
#13 – The Black Male Handbook: A Blueprint for Life by Kevin Powell
#14 – The Other Wes Moore: One Name, Two Fates by Wes Moore
#15 – Why Men Fear Marriage: The Surprising Truth Behind Why So Many Men Can’t Commit by RM Johnson
#16 – Black Titan: A.G. Gaston and the Making of a Black American Millionaire by Carol Jenkins
#17 – Brainwashed: Challenging the Myth of Black Inferiority by Tom Burrell
#18 – A New Earth: Awakening to Your Life’s Purpose by Eckhart Tolle
#19 – John Oliver Killens: A Life of Black Literary Activism by Keith Gilyard
#20 – Alain L. Locke: The Biography of a Philosopher by Leonard Harris
#21 – Age Ain’t Nothing but a Number: Black Women Explore Midlife by Carleen Brice
#22 – 2012 Guide to Literary Agents by Chuck Sambuchino #23 – Chicken Soup for the Prisoner’s Soul by Tom Lagana #24 – 101 Things Every Boy/Young Man of Color Should Know by LaMarr Darnell Shields
#25 – Beyond the Black Lady: Sexuality and the New African American Middle Class by Lisa B. Thompson
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A Novel by Jesmyn Ward
On one level, Salvage the Bones is a simple story about a poor black family thats about to be trashed by one of the most deadly hurricanes in U.S. history. What makes the novel so powerful, though, is the way Ward winds private passions with that menace gathering force out in the Gulf of Mexico. Without a hint of pretension, in the simple lives of these poor people living among chickens and abandoned cars, she evokes the tenacious love and desperation of classical tragedy. The force that pushes back against Katrinas inexorable winds is the voice of Wards narrator, a 14-year-old girl named Esch, the only daughter among four siblings. Precocious, passionate and sensitive, she speaks almost entirely in phrases soaked in her familys raw land. Everything here is gritty, loamy and alive, as though the very soil were animated. Her brothers blood smells like wet hot earth after summer rain. . . . His scalp looks like fresh turned dirt. Her fathers hands are like gravel, while her own hand slides through his grip like a wet fish, and a handsome boys muscles jabbered like chickens. Admittedly, Ward can push so hard on this simile-obsessed style that her paragraphs risk sounding like a compost heap, but this isnt usually just metaphor for metaphors sake.
She conveys something fundamental about Eschs fluid state of mind: her figurative sense of the world in which all things correspond and connect. She and her brothers live in a ramshackle house steeped in grief since their mother died giving birth to her last child. . . . What remains, whats salvaged, is something indomitable in these tough siblings, the strength of their love, the permanence of their devotion.
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By Melissa V. Harris-Perry
According to the author, this society has historically exerted considerable pressure on black females to fit into one of a handful of stereotypes, primarily, the Mammy, the Matriarch or the Jezebel. The selfless Mammys behavior is marked by a slavish devotion to white folks domestic concerns, often at the expense of those of her own familys needs. By contrast, the relatively-hedonistic Jezebel is a sexually-insatiable temptress. And the Matriarch is generally thought of as an emasculating figure who denigrates black men, ala the characters Sapphire and Aunt Esther on the television shows Amos and Andy and Sanford and Son, respectively.
Professor Perry points out how the propagation of these harmful myths have served the mainstream culture well. For instance, the Mammy suggests that it is almost second nature for black females to feel a maternal instinct towards Caucasian babies.
As for the source of the Jezebel, black women had no control over their own bodies during slavery given that they were being auctioned off and bred to maximize profits. Nonetheless, it was in the interest of plantation owners to propagate the lie that sisters were sluts inclined to mate indiscriminately.
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This book explodes several myths: that selling sex is completely different from any other kind of work, that migrants who sell sex are passive victims and that the multitude of people out to save them are without self-interest. Laura Agustín makes a passionate case against these stereotypes, arguing that the label ‘trafficked’ does not accurately describe migrants’ lives and that the ‘rescue industry’ serves to disempower them. Based on extensive research amongst both migrants who sell sex and social helpers, Sex at the Margins provides a radically different analysis. Frequently, says Agustin, migrants make rational choices to travel and work in the sex industry, and although they are treated like a marginalised group they form part of the dynamic global economy. Both powerful and controversial, this book is essential reading for all those who want to understand the increasingly important relationship between sex markets, migration and the desire for social justice.
“Sex at the Margins rips apart distinctions between migrants, service work and sexual labour and reveals the utter complexity of the contemporary sex industry. This book is set to be a trailblazer in the study of sexuality.”Lisa Adkins, University of London
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By Charlayne Hunter-Gault
A personal history of the civil rights movement from activist and acclaimed journalist Charlayne Hunter-Gault. On January 20, 2009, 1.8 million people crowded the grounds of the Capitol to witness the inauguration of Barack Obama. Among the masses was Charlayne Hunter-Gault. She had flown from South Africa for the occasion, to witness what was for many the culmination of the long struggle for civil rights in the United States. In this compelling personal history, she uses the event to look back on her own involvement in the civil rights movement, as one of two black students who forced the University of Georgia to integrate, and to relate the pivotal events that swept the South as the movement gathered momentum through the early 1960s. With poignant black-and-white photos, original articles from the New York Times, and a unique personal viewpoint, this is a moving tribute to the men and women on whose shoulders Obama stood.
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From The World and Africa, 1965
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update 31 December 2011