ChickenBones: A Journal
for Literary & Artistic African-American Themes
A complex man, Tisdale was not afraid of controversy. He called it like he saw it even if he was
the only person who saw it that way. In his many editorials, Tisdale not only challenged whites
whom he felt were hurting the black community, he had no problem challenging and chastising blacks
Charles Tisdale: Newspaper and Community Man
By C. Liegh McInnis
Owner, publisher, and editor of the Jackson Advocate, Charles Tisdale has made his transition to the other side. Besides being an excellent newspaper man, Tisdales thirty-year legacy is two fold. One, he used the Jackson Advocate to provide a voice to African Americans when they were poorly represented in the mainstream media. Two, he provided opportunity for most of the African American journalist in the Jackson Metro area to be published. Although my background is creative writing, my first publication was an article in the Jackson Advocate about the legislative changes in drug rehabilitation programs. Former Mississippi Link editor and journalist Nikki Burns and I used to discuss all the time that at one point most of the African American writers working at the Clarion Ledger got their starts under Tisdale.
Despite his desire to create a competitive paper, Tisdale remained steadfast to the notion that for the Jackson Advocate to be vital it must remain a community paper. For instance, no matter what many of us went on to do, he always treated us like we worked for the Advocate. Once, Tisdale and many of us were at some rally for some cause, and several of us were lingering after the event. As I was leaving the event, Tisdale, barely acknowledging my presence, stated to me, Have me an article about this by 5:00 p.m. tomorrow. To which my response was, Yes, sir. By the way, I missed the deadline, but Tisdale was able to get it in the paper somehow.
In fact, one of my goals as a writer was to rise to the level of Dr Jerry W. Ward and Dr. Ivory Paul Phillips who always have a column reserved in the Advocate. To me, that is what it meant to be a real writerto be so accomplished that you can always publish somewhere. Yet without Tisdale, Afro-Mississippi writers would not have this goal because Tisdale made sure that the paper survived bombings, attacks from other media outlets, and a lack of advertising and subscriptions. With pocket change and a prayer, Tisdale kept the Jackson Advocate alive so that the voice of the Afro-Mississippian would remain alive in all of its forms.
A complex man, Tisdale was not afraid of controversy. He called it like he saw it even if he was the only person who saw it that way. In his many editorials, Tisdale not only challenged whites whom he felt were hurting the black community, he had no problem challenging and chastising blacks, especially black elected officials whom he often placed in the Brown Society. Once when my father was placed in the Brown Society because he and Tisdale disagreed on a decision that my father made as Executive Director of the Hinds County Democratic Party, my father replied, Well, at least he told me that I was going to be in the Brown Society over lunch.
For the entire time my father was in the Brown Society, Tisdale continued to publish various articles by me as well as have lunch from time to time with my father. At his core, Tisdale was about the discourse, the discussion, the verbal/written debate. He was an idea man who understood the importance of African Americans being able to voice their ideas, be exposed to other ideas, and make sovereign decisions about the types of ideas that governed and framed their lives. We will miss his fire, his dedication, and his leadership for he made so many of our dreams into reality while making sure that we were represented equally and fairly.
C. Liegh McInnis is an author of seven books and a former publisher/editor of Black Magnolias Literary Journal. He can be contacted at Psychedelic Literature, 203 Lynn Lane, Clinton, MS 39056, (601) 925-1281, firstname.lastname@example.org .
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#1 – Justify My Thug by Wahida Clark #2 – Flyy Girl by Omar Tyree #3 – Head Bangers: An APF Sexcapade by Zane #4 – Life Is Short But Wide by J. California Cooper #5 – Stackin’ Paper 2 Genesis’ Payback by Joy King #6 – Thug Lovin’ (Thug 4) by Wahida Clark #7 – When I Get Where I’m Going by Cheryl Robinson #8 – Casting the First Stone by Kimberla Lawson Roby #9 – The Sex Chronicles: Shattering the Myth by Zane
#10 – Covenant: A Thriller by Brandon Massey
#11 – Diary Of A Street Diva by Ashley and JaQuavis
#12 – Don’t Ever Tell by Brandon Massey
#13 – For colored girls who have considered suicide by Ntozake Shange
#14 – For the Love of Money : A Novel by Omar Tyree
#15 – Homemade Loves by J. California Cooper
#16 – The Future Has a Past: Stories by J. California Cooper
#17 – Player Haters by Carl Weber
#18 – Purple Panties: An Eroticanoir.com Anthology by Sidney Molare
#19 – Stackin’ Paper by Joy King
#20 – Children of the Street: An Inspector Darko Dawson Mystery by Kwei Quartey
#21 – The Upper Room by Mary Monroe
#22 Thug Matrimony by Wahida Clark
#23 – Thugs And The Women Who Love Them by Wahida Clark
#24 – Married Men by Carl Weber
#25 – I Dreamt I Was in Heaven – The Rampage of the Rufus Buck Gang by Leonce Gaiter
#1 – Malcolm X: A Life of Reinvention by Manning Marable #2 – Confessions of a Video Vixen by Karrine Steffans #3 – Dear G-Spot: Straight Talk About Sex and Love by Zane #4 – Letters to a Young Brother: MANifest Your Destiny by Hill Harper #5 – Peace from Broken Pieces: How to Get Through What You’re Going Through by Iyanla Vanzant #6 – Selected Writings and Speeches of Marcus Garvey by Marcus Garvey #7 – The Ebony Cookbook: A Date with a Dish by Freda DeKnight #8 – The Isis Papers: The Keys to the Colors by Frances Cress Welsing #9 – The Mis-Education of the Negro by Carter Godwin Woodson
#10 – John Henrik Clarke and the Power of Africana History by Ahati N. N. Toure
#11 – Fail Up: 20 Lessons on Building Success from Failure by Tavis Smiley
#12 –The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander
#13 – The Black Male Handbook: A Blueprint for Life by Kevin Powell
#14 – The Other Wes Moore: One Name, Two Fates by Wes Moore
#15 – Why Men Fear Marriage: The Surprising Truth Behind Why So Many Men Can’t Commit by RM Johnson
#16 – Black Titan: A.G. Gaston and the Making of a Black American Millionaire by Carol Jenkins
#17 – Brainwashed: Challenging the Myth of Black Inferiority by Tom Burrell
#18 – A New Earth: Awakening to Your Life’s Purpose by Eckhart Tolle
#19 – John Oliver Killens: A Life of Black Literary Activism by Keith Gilyard
#20 – Alain L. Locke: The Biography of a Philosopher by Leonard Harris
#21 – Age Ain’t Nothing but a Number: Black Women Explore Midlife by Carleen Brice
#22 – 2012 Guide to Literary Agents by Chuck Sambuchino #23 – Chicken Soup for the Prisoner’s Soul by Tom Lagana #24 – 101 Things Every Boy/Young Man of Color Should Know by LaMarr Darnell Shields
#25 – Beyond the Black Lady: Sexuality and the New African American Middle Class by Lisa B. Thompson
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By George Lamming
First published in 1960, Season of Adventure details the story of Fola, a light-skinned middle-class girl who has been tipped out of her easy hammock of social privilege into the complex political and cultural world of her recently independent homeland, the Caribbean island of San Cristobal. After attending a ceremony of the souls to raise the dead, she is carried off by the unrelenting accompaniment of steel drums onto a mysterious journey in search of her past and of her identity. Gradually, she is caught in the crossfire of a struggle between people who have “pawned their future to possessions” and those “condemned by lack of learning to a deeper truth.” The music of the drums sounds throughout the novel, “loud as gospel to a believer’s ears,” and at the end stands alone as witness to the tradition which is slowly being destroyed in the name of European values. Whether through literary production or public pronouncements, George Lamming has explored the phenomena of colonialism and imperialism and their impact on the psyche of Caribbean people.
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By Eric Liu and Nick Hanauer
American democracy is informed by the 18th centurys most cutting edge thinking on society, economics, and government. Weve learned some things in the intervening 230 years about self interest, social behaviors, and how the world works. Now, authors Eric Liu and Nick Hanauer argue that some fundamental assumptions about citizenship, society, economics, and government need updating. For many years the dominant metaphor for understanding markets and government has been the machine. Liu and Hanauer view democracy not as a machine, but as a garden. A successful garden functions according to the inexorable tendencies of nature, but it also requires goals, regular tending, and an understanding of connected ecosystems. The latest ideas from science, social science, and economicsthe cutting-edge ideas of todaygenerate these simple but revolutionary ideas: (The economy is not an efficient machine. Its an effective garden that need tending. Freedom is responsibility. Government should be about the big what and the little how. True self interest is mutual interest.
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A Novel by Jesmyn Ward
On one level, Salvage the Bones is a simple story about a poor black family thats about to be trashed by one of the most deadly hurricanes in U.S. history. What makes the novel so powerful, though, is the way Ward winds private passions with that menace gathering force out in the Gulf of Mexico. Without a hint of pretension, in the simple lives of these poor people living among chickens and abandoned cars, she evokes the tenacious love and desperation of classical tragedy. The force that pushes back against Katrinas inexorable winds is the voice of Wards narrator, a 14-year-old girl named Esch, the only daughter among four siblings. Precocious, passionate and sensitive, she speaks almost entirely in phrases soaked in her familys raw land. Everything here is gritty, loamy and alive, as though the very soil were animated. Her brothers blood smells like wet hot earth after summer rain. . . . His scalp looks like fresh turned dirt. Her fathers hands are like gravel, while her own hand slides through his grip like a wet fish, and a handsome boys muscles jabbered like chickens. Admittedly, Ward can push so hard on this simile-obsessed style that her paragraphs risk sounding like a compost heap, but this isnt usually just metaphor for metaphors sake.
She conveys something fundamental about Eschs fluid state of mind: her figurative sense of the world in which all things correspond and connect. She and her brothers live in a ramshackle house steeped in grief since their mother died giving birth to her last child. . . . What remains, whats salvaged, is something indomitable in these tough siblings, the strength of their love, the permanence of their devotion.
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Wilderson, a professor, writer and filmmaker from the Midwest, presents a gripping account of his role in the downfall of South African apartheid as one of only two black Americans in the African National Congress (ANC). After marrying a South African law student, Wilderson reluctantly returns with her to South Africa in the early 1990s, where he teaches Johannesburg and Soweto students, and soon joins the military wing of the ANC. Wilderson’s stinging portrait of Nelson Mandela as a petulant elder eager to accommodate his white countrymen will jolt readers who’ve accepted the reverential treatment usually accorded him. After the assassination of Mandela’s rival, South African Communist Party leader Chris Hani, Mandela’s regime deems Wilderson’s public questions a threat to national security; soon, having lost his stomach for the cause, he returns to America.
Wilderson has a distinct, powerful voice and a strong story that shuffles between the indignities of Johannesburg life and his early years in Minneapolis, the precocious child of academics who barely tolerate his emerging political consciousness. Wilderson’s observations about love within and across the color line and cultural divides are as provocative as his politics; despite some distracting digressions, this is a riveting memoir of apartheid’s last days.Publishers Weekly
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By Rita Dove
Selecting poets and poems to represent a century of poetry, especially the riotous twentieth century in America, is a massive undertaking fraught with peril and complication. Poet Rita Dove-a Pulitzer Prize- winning former U.S. poet laureate, professor, and presidential scholar- embarked on what became a consuming four-year odyssey. She reports on obstacles and discoveries in an exacting and forthright introduction, featuring striking quotes, vivid profiles, and a panoramic view of the evolution of poetic visions and styles that helped bring about social as well as artistic change […] Dove’s incisive perception of the role of poetry in cultural and social awakenings infuses this zestful and rigorous gathering of poems both necessary and unexpected by 180 American poets. This landmark anthology will instantly enhance and invigorate every poetry shelf or section.Booklist
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By Rita Dove
This 12th collection from the former U.S. poet laureate and Pulitzer Prize recipient is her third book-length narrative poem: it follows the real career of the violin prodigy George Augustus Polgreen Bridgetower (17801860), a former pupil of Haydn, as well as the grandson/ of an African prince, or so his promoters and teachers in England said. Moving to Vienna during the Napoleonic Wars, the violinist met and befriended the famously moody Beethoven, who was prepared to dedicate his famously difficult Kreutzer Sonata to Bridgetower until a rivalry for the same woman drove them apart. Dove tells Bridgetower’s story, and some of Beethoven’s and Haydn’s, in a heterogenous profusion of short poems, some almost prosy, some glittering in their technique. In quatrains, a double villanelle, what looks like found text, short lines splayed all over a page and attractive description, Dove renders Bridgetower’s frustrated genius: Music played for the soul is sheer pleasure;/ to play merely for pleasure is nothing/ but work. Dove does not always achieve such subtletiesthose who loved her early work may think this book too long: few, though, will doubt the seriousness of her effort, her interest at once in the history of classical music and the changing meanings of race.Publishers Weekly
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From The World and Africa, 1965
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posted 8 July 2007