ChickenBones: A Journal
for Literary & Artistic African-American Themes
The personal really only becomes effectively political or critical through
disinterested study. Therefore, it does not make much sense from
a Du Boisian perspective for a writer to assert, I know it because I lived it.
Books by Houston Baker, Jr.
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Black Intellectuals Have Abandoned the Ideals of the Civil Rights Era
Reviewing Houston A. Baker’s
Houston A. Baker Jr. condemns those black intellectuals who, he believes, have turned their backs on the tradition of racial activism in America. These individuals choose personal gain over the interests of the black majority, whether they are espousing neoconservative positions that distort the contours of contemporary social and political dynamics or abandoning race as an important issue in the study of American literature and culture. Most important, they do a disservice to the legacy of W. E. B. Du Bois, Martin Luther King Jr., and others who have fought for black rights. In the literature, speeches, and academic and public behavior of some black intellectuals in the past quarter century, Baker identifies a “hungry generation” eager for power, respect, and money. Baker critiques his own impoverished childhood in the “Little Africa” section of Louisville, Kentucky, to understand the shaping of this new public figure. He also revisits classical sites of African American literary and historical criticism and critique. Baker devotes chapters to the writing and thought of such black academic superstars as Cornel West, Michael Eric Dyson, and Henry Louis Gates Jr.; Hoover Institution senior fellow Shelby Steele; Yale law professor Stephen Carter; and Manhattan Institute fellow John McWhorter. His provocative investigation into their disingenuous posturing exposes what Baker deems a tragic betrayal of King’s legacy. Baker concludes with a discussion of American myth and the role of the U.S. prison-industrial complex in the “disappearing” of blacks. Baker claims King would have criticized these black intellectuals for not persistently raising their voices against a private prison system that incarcerates so many men and women of color. To remedy this situation, Baker urges black intellectuals to forge both sacred and secular connections with local communities and rededicate themselves to social responsibility. As he sees it, the mission of the black intellectual today is not to do great things but to do specific, racially based work that is in the interest of the black majority.Columbia
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Professor Houston Baker joined us in the second hour of the show this week to discuss the ways in which leading Black intellectuals have abandoned the ideals of the Civil Rights era. We discussed this, Obamas impact and more. What ideals have been betrayed and in what ways? Is there a viable Black political and/or intellectual leadership in the public sphere? What is missing from the perspective of political organization? And what if the Tea Party was Black? Check it out and join the discussion!VoxUnion
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By Houston A. Baker
The first home I remember was in Little Africa. Little Africa was in Louisville, Kentucky. It was a seemingly endless tangle of unpaved streets and makeshift houses isolated in the deep west end of the city. It was a bleak compound of blackness where white faces were as rare as unicorns. Everyone did some kind of work. But their jobs were usually under the radar of anything resembling a decent, living wage; jobs were part-time, nonunion, unregulated, one-shot seasonal, or domestic moneymakers. Paychecks and their nets were as unpredictable as English weather. Little Africa was not cohesively working class in the manner of Allentown, Pennsylvania, during its boom years, or Brooklyn, New York, in its rags-to-riches American fantasy. There were not a lot of mythic success stories in our world. In Little Africa, Give us, Lord, our daily bread was not a summons for a heavenly handout, but an earnest, quotidian prayer for ten cents to purchase a loaf of Bond Bread from my familys store, Bakers Market. Bakers Market was a solidly framed and brightly painted placemy mother and father had secured its title through sheer moxie. The stores previous (white) owner had grown tired of marginal profits and other downsides of conducting business in the ghetto. My father, with his solid business acumen and savvy ear to rounds of the black world, got an inside tip about the owners dissatisfaction and acted on it. My mother and father were among the select number of African Americans of their generation privileged to earn not only bachelors but also advanced graduate degrees. They were blessed and aided by the generous backing of my maternal grandparents in purchasing their first home and, I suspect, in their acquisition of Bakers Market. I did not know in my youth that we Bakers were differently gifted from the general population of Little Africa. To my young mind, my parents bearing toward and relationship with their clientele offered no hint of class tension. Their avoidance of displays of assumed superiority made a great deal of sense. They knew that in segregated Louisville, Kentucky, there were few places where they could establish a successful black business. Little Africa was one such locale, and alienating customers through condescension would have been the most extreme folly. But in retrospect, I know my familys situation was markedly different from that of others in Little Africa. My parents, after all, owned the grocery store; they also had significant educational and business reserves to fall back on. Still, the fact that their ownership and business options in a segregated Louisville, Kentucky, were limited to the black ghetto made their advantages seem slightly more than window dressing in the defining economies of race and class in Americaespecially the American South. We moved to Little Africa in 1951. I was eight years old. Our house (my first remembered home) was a one-story frame dwelling. It was only about seven hundred square feet, divided into four small bedrooms and one tiny bath. But it had electricity and ample insulation, and my older brother and I luxuriously shared one bedroom reserved for us. The house had been built by my maternal grandfather and a cousin. It was located just behind Bakers Market. Next door, my friend Dewy, who was a master of all things mechanical and thought up the best games, lived with his large family in a dilapidated structure lit by coal oil lamps and lacking indoor plumbing. To the rear, Mr. Johnson raised hogs in a small, grassy enclosure he referred to as his stockyard. When breezes were mischievous, we shared more of Mr. Johnsons stockyard than we wished. I knew the geography of Little Africa by scent and sense. I listened hour by hour and day by day to black people. Im sure if someone dropped me off back in Little Africa today, I could still walk its geographies and share its storied textures with the bearing of a native. But we of Little Africa were inside a place that Louisvilles ordinary white people knew was scarcely fit for dignified human habitationnot even close to an amply resourced American citizenship. Certainly any ordinary white citizen, after overcoming initial shock at the bleak mayhem of our lives, would have concluded we must have done something incomparably evil to deserve such a fate as to be in Little Africa. After all, there are so many who believe that the poor, as a result solely of their own deviance, will always be a burden to society. This seems to remain a conservative American conviction with respect to places like Little Africa. Louisvilles daily, segregated life (in combination with its saturate air of bourbon and tobacco) was a frightening whirr of bullies (both black and white) and soul-killing violence. I shuddered with dark premonition that I mightin the blink of a southern segregationist eyebe run over by something, shot by somebody, stopped and searched at random, punched squarely in the face for no reason. Irrational as those fears now seem, I suspect there was something in my subconscious apprehension of Little Africa that reinforced such trepidation. Even at that young age I knew that fear and trembling are not abnormal responses to the terrors of white supremacy: Jim Crow, colonial malfeasance, apartheid brutality. Inside Little Africalocked within the black vale and veil of desolationwe learned lessons not only in humility, resistance, and holiness, but also the rudiments of a justified terror before the worst offenses of whiteness in America. Perhaps pioneering American frontier dwellers might have felt something akin to that fearful caution known to the denizens of Little Africa. Every prairie occasion in the Old West was, after all, a challenge to bizarre notions of a violent manhood; the frontier was bloodily exclusionary in its definitions of national citizenship and human well-being (ask the few remaining American Indians). I want to clear up one semantic notion at this point. There is no such thing as second-class citizenship. The phrase is a nonsense utterance. Either one is a citizen, or one is not. Exclusion is a flagrant denial of citizenship. I know my youth in segregated Louisville scarred me in permanent waysways that contradict any kind of glibly disingenuous assertion that oppression leaves no permanent mark upon the oppressed. The psychological effect of white supremacy in the United States is irreversible, and, in my view, unforgivable. No late apologetics can erase mental terror and tangible scars. If not the mind, the body always remembers. Much like the Afro-American writer Richard Wright during his Mississippi youth, I lived childhood in a haze of anxiety, confusion, and dread. My early days were spent in a state of constant emergency. My spirit and imagination were enduringly under assault by white power in its myriad dimensions. The abject struggle for daily bread in Little Africa was like flame to a tinderbox. It spawned frustration and produced an impulsive need to strike out at whatever was nearby, at hand. Everyone in the compound was, of course, black. Therefore, it was permanently the case that someone black seemed always ready in my youth to maim, cut, shoot, or mutilate some other black one, equally desperate, locked in the cell of Little Africas labyrinth of misery. Frantz Fanon speaks of the native who tolerates from dawn to dusk white superiority and abuse, but then, in the shantytown black bar after dark reacts with unmeasured violence against a fellow black for the most trivial of offenses. Fanon is concerned with the psychology of such black violence. Economically, one might be compelled to ask: Where can the native vent his rage and hope to stay alive but in a place like Little Africa? White supremacy contains native violence in its own compounds by killing natives or locking them awaypermanently. Bakers Market was one of the few commercial establishments that broke the winding networks of unpaved roads and derelict houses in Little Africa. Lights were almost always on; windows shone with neon Pabst Blue Ribbon and Falls City signs casting deep blue and sharp red into the night. The store stayed open late on weekends (especially payday Fridays and out to play Saturdays) and it boasted one of the few pay phones within a mile radius. Bloodied warriors of segregated life in America, with blood-dripping hands, heads, arms, and faces swathed in tattered towels and bundled rags often swept into the store, making a beeline to the pay phone. They dialed the police (infrequently), an ambulance (out of unequivocal necessity), or a loved one (most frequently) to come and help them out. I remember my cousin Raymondthe man who helped build our house in Little Africaleaping over the counter on one occasion, tearing off his apron, tying it around the hemorrhaging arm of an improbably large brown man who seemed utterly astonished that someone had bested him in a brawl at Dixons Tavern. Dixons was a mile or so up the road from our store. Surely its owners business world was as dramatically marked by violence as my familys. Less bloody, but no less harrowing, were the stories of white violence that flew into the store on the lips of black men, women, and children who had journeyed outside into the white city. Being called Nigger! was common, as though such wounding hate speech was an acceptable way to treat human beings. Being bloodied by rocks and bottles hurled from the cars of whites, or roundly told to get their nigger brats out of the waiting rooms of General Hospital or Union Station were the tales blacks frequently recounted in Bakers Market. There were stories, as well, of deeply uncaring white absentee violence. As I turned the labels of canned goods to the front of shelves in the market, I often heard: They cut off my phone, my lights, and my water . . . just because I missed one damn bill! The reply in support: I know what you mean, man . . . cause my wages done been garnished. And then with a sigh of weary resignation from another: Just cause I couldnt pay that no-good bloodsucker his rent for February, he put us out! Damn! Little Africa was plagued by the violence of American white supremacist economic uncaring. And it was not spare in its tales of the resulting wounds to the black body and spirit. It resonantly told its stories to my youth. In black gospel lore, the return upon such economic uncaring rings melodiously forth: Im agonna tell about how you treat me one of these days! And I shall. Misery, bloodshed, poverty, despair, and violence were staples of the Little Africa residents who frequented Bakers Market, and of the community as a whole. I did not learn to love black life under segregation in Louisville, Kentucky. No, I did not. I developed a bizarre and incurable form of black American agoraphobia, a deep and lasting anxiety and distrust of outside American spaces. By the black majority I intend to signal those populations of African, African American, Negro, and colored descent in the United States who inhabit the most wretched states, spaces, and places of our national geography. I mean those who live in census tracks where more than 40 percent of the population exists at or beneath the poverty line and unemployment is rampant. I call to mind and keep in the forefront of concern those black men, women, and children who have little hope of bettering their life chances through any simply (perhaps even plausibly) available means, from laboring at jobs with inhumanely low minimum wage pay or bare subsistence day-to-day combat with what vestiges remain of an American security net. The black majority is the almost inevitably exposed, severely policed, desperately underresourced contingent of the African American population currently resident in the United States.
The black majority is indubitably the majority of Afro-America at the present time. For we must also bring to the forefront as part of that majority, those black families of four who are considered by the census middle class when their annual, pretax income is as modest as fifty thousand dollars. This modest-income-defined black middle class, in fact, draws the interests of the black majority squarely into accord with American constituencies that are not of color. Which is to say, middle-class whites who once endorsed and actually were able to live the American dream have found themselves nearly completely abandonedif not literally dispossessedby the policies of the conservative federal plutocracy that has ruled the United States for the past three decades. Hence, the black middle class isto paraphrase an observation by Richard WrightAmericas metaphor. Wright averred that as the black majority goes, so goes the nation. There is, therefore, much at stake in attending to the interests and committing oneself to the enablement of the black majority. In a sense, one can surely say those who fail the black majority at the present time are unequivocally in league with the ruling white elites who have destroyed not only the middle class but also so much more that is fundamental to the founding ideals of our nation. What community means against the backdrop of the physical, mental, spatial, and emotional deprivation that marks black life in America is, I think, stark necessity, brilliant ingenuity, compelling imagination, unimaginable fortitude, and stern commitment to ideals forged in the fire of chattel slavery and Jim Crows unforgivable inhumanity. My mother was my own first instructor in community. She was the model and exemplar. My father was but a hairs breadth behind. As a businessman, my father naturally wanted to make a profit. The reason he thought he would fare better than the white owner from whom he purchased the store in Little Africa was that he was actually going to live (and persuade his wife and family to live) in the locale from which his profits derived. (A kind of Lincoln Heights precursor was he.) His first step was to have our family home built behind the store. No absenteeism would do for my father. Second, my father viewed Bakers Market as a critical resource for a black community blighted by neglect. He was an uplift disciple of Booker T. Washingtons heroic Tuskegee dispensations, focused in his own way on black people farthest down. Always speak to people, he instructed my older brother and me. Everyone deserves your respect. And he was true to his teaching words. He brought some pretty bizarre and terribly inefficient black men and women into our family life in the name of race and respect. Like Don, the self-styled down-on-his-luck black plumber who left Bakers Market flooded one cold weekend long ago. There were handymen who commenced repairs with less-than-substantial materials, disappeared for weeks on end, then miraculously reappeared to finish a job and collect their pay. In black American life and culture a race man or race woman is one who dedicates his or her life and work to countering the lies, ideological evasions, and pretensions to innocence and equal justice for all that prop up Americas deeply embedded, systemic, and institutionalized racism. Race men and race women (which I consolidate, and at the same time, I think, usefully expand to the term race people) seek remedy for harms to the black body caused by the gospel and practice of white supremacy. Race people contest an ideologically inspired and profit-hungry white power structure that still maintains and reaps scandalous billions of dollars from a traffic in and enslavement of black bodies in the Americas. (Todays slavery is disguised as criminal justice in the form of a vast American private prison-industrial complex.) Race people model themselves as sharers of a culture, cause, and community held to be of African descent and labeled variously African, colored, Negro, black, Afro-American, African American. These are the selfsame people the precociously brilliant poet-essayist Amiri Baraka hailed as blues people. Often patterning their labors after biblical prophets, race people commit themselves to a mobile, resounding, fierce redefinition of the state of race and the race in a troubled American nation. They do this in the very face of races most brutal exclusions. When they are granted or when they secure public voice, they use their forum to advocate the interests of what they define as their race at its majority level. Select black individuals may achieve fameand a growing black middle class may work profitably at race-oriented and affirmative actioninduced jobs. Elite blacks may even find themselves subjects for glossy, high-end magazines such as Ebony, Sports Illustrated, and Essence. But to state the unequivocal once again, the race reaps virtually no benefit from the bling of a black celebrity elite that is often more damning in its condemnation of the black American majority than white America at large. Where the majority is concerned, any real (consumable) public gains or advancement in America must provide nourishment for all; there must be a collective harvest. The life and legacy of Dr. Martin Luther King Jr. are rich in acknowledged commitment to the advance of the race as a whole, as well as to race as a valued and valuable category for the analysis of American life and history. Little Africa and the incumbencies of my parents as race people thus open this book. This is autobiography, and I feel obliged to note that one advance reader of this manuscript asked, What has Little Africa got to do with anything that follows in the book? By way of answer I suggest that the most adept analytical traditions of black intellectual critique in America often privilege autobiography. Autobiography in black American intellectual traditions has always assumed a huge burden of evidence and carried a special explanatory power with respect to race and community. Autobiography has been a mainstay of black critical memory from time immemorial, manifesting a preservative reverence for verifiable historical facts as they have been filtered through the alembic of personal consciousness and conscience. In the black world, the self-story has served as self-defense against white supremacys claims to know, statistically regulate, and police who precisely we are, and where we must live. It is this autobiographical tradition of memory, self-defense, and critique that I invoke with word of Little Africa. When I use the phrase black majority, I refer to those globally ghettoized in Little Africas that are subservient always to interests of white power.
Here is what the famous Kerner Commission, charged with investigating causes of urban rioting and black community disorder in the 1960s concluded: What white Americans have never fully understoodbut what the Negro can never forgetis that white society is deeply implicated in the ghetto. White institutions created it, white institutions maintain it, and white society condones it.1 This statement of fact is a capsule account of what I have called an outside relentlessly pushing the black world into Little Africa. And I believe it is most effectively self-storyblack autobiographical critiquethat evidences and provides witness with respect to the subordinating effects of white supremacy in the creation, and condoning, of Little Africa. This is, in part, my answer to the query: What has Little Africa (by which I take my interlocutor to mean autobiography) got to do with anything that follows in the book? Now certainly, autobiography in itself does not guarantee analytical adequacy. That is to say, it is always problematic to base ones claims of critical accuracy exclusively on the evidence of ones own life. Even the most intellectually astute partisans of the self-story have expressed reservations: Autobiographies . . . assume too much or too little: too much in assuming that ones own life has greatly influenced the world; too little in the reticences, repressions and distortions which come because men do not dare to be absolutely frank. W. E. B. Du Bois wrote these words. In Dusk of Dawn: An Essay Toward an Autobiography of a Race Concept he insists his life is not significant in itself, but only insofar as it is part of a problem: the great global ignominy of the subordination of the darker races of the world by the lighter ones. Despite his autobiographical caveat, however, Du Bois resolutely situates his thoughts, speculations, analyses, reflections, and conclusions within a personal field of experience. In fairness, one must note that the sage of Great Barringtonas others were wont to label Du Boisself-consciously refused to be reticent about men, events, ideas, theories, and crises that were decidedly outside his youthful ken.
What most distinguishes Du Boiss autobiographical scholarly labors in many instances is his candid admission that only time, scholarly labor, and fortune brought him an awareness of who precisely he was as a personal self. In a sense, then, Du Bois acknowledges that the personal-autobiographical is always after the fact and avant la lettre. The alchemy and attraction of autobiography as a platform for critique, that is to say, consists not so much in claims for a special knowing that accrues to the writer simply from his living in the welter of the world. The real gold standard and most useful autobiographical critique, Du Bois seems to hold, results from the catalytic combination of personal recall and scholarly endeavor. The personal really only becomes effectively political or critical through disinterested study. Therefore, it does not make much sense from a Du Boisian perspective for a writer to assert, I know it because I lived it. Living is not enough. We come fully to possess our rounded personal histories only through the play of the intellect and imagination over the wisdom and witness of the world. I summon Du Bois here because his analysis and demonstration of the virtues and liabilities of autobiographical critique are nonpareil. Hence, I take Du Boiss cautions seriously. I do not commence the present project with memories of Little Africa to claim some special existential knowledge based on personal experience alone. Rather, I invoke the world of my first personal memory as a metonym for certain registers of majority life whose significance it has taken me years to understand. World forces did in fact condition the bleakness of black life in the quarter of the Negro in Louisville, Kentucky. And I have spent almost half a century brooding over the men, theories, ideas, and events that, in effect, created all the Little Africas of the globe. I have indisputably learned that the significance of my life does not lie in some mythological ideal of rugged individualism or stout fantasy of self-reliance. No, the personal in my case is clearly a function of parents who seized the temper of a collective black American consciousness and instilled in their children allegiance not to self but to the interests of the black majority.
Source: Columbia University Press
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Baker, an esteemed scholar of African American literature and culture, is deeply frustrated with the state ofor, rather, the lack ofracial activism today. Part of the blame rests with contemporary neoconservatives, who Baker claims have sabotaged the civil rights and black power movements by promoting racial injustice under a banner of social equality. But Baker is most bothered by prominent black intellectuals who purport to advance the civil rights movement even though, in Bakers eyes, their ultimate aspirations and resultant political strategies diverge radically and even counterproductively from those of Martin Luther King Jr. In fiery chapters on each scholar, Baker lambastes Cornel West, Michael Eric Dyson, Shelby Steele, Henry Louis Gates Jr., and others for disingenuous politics, centrism, and above all the vainglorious pursuit of academic and political influence at the expense of the broader black majority, who still suffer from social and economic injustice. Mourning the loss of black unityborn of the communal struggles of the 1960s, Baker expresses his disappointment by pulling no punches with his fellow scholars, a sure recipe for equally harsh rebuttals.Brendan Driscoll, Booklist
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Baker succeeds in making his case… How fitting that Baker offers not just words here but action too.Erin Aubry Kaplan, Los Angeles Times
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A courageous book, raising much needed questions in this our brave new world.Lolis Eric Elie, The Times-Picayune
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“I highly recommend this exceptional work of scholarship, for it is worth the price of the ticket.Hanes Walton Jr., Political Science Quarterly
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Betrayal: How Black Intellectuals Have Abandoned the Ideals of the Civil Rights Era is a vernacular broadside, brave and funny by turns. Houston A. Baker Jr. has written as cantankerous and eloquent a defense of the legacies of the civil rights movement as one is likely to find anywhere. With relentless irony, he bares the narcissism, trickery, and entrepreneurial doublethink of neocon America, especially its black representatives. Neither do the black academostars of the Ivy League escape his wrath, sharing as they do the neocon analysis that the agony of being black in America has to do with ‘pathological’ behavior rather than brutal structural inequalities. An urgent and persuasive book.Timothy Brennan, University of Minnesota, and author of Wars of Position: The Cultural Politics of Left and Right
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Houston A. Baker, Jr. is a native of Louisville, Kentucky. He received his BA (Magna Cum Laude and Phi Beta Kappa) from Howard University. He received his MA and Ph.D. degrees from UCLA. He has taught at Yale, the University of Virginia, the University of Pennsylvania, and Duke University. Currently, he is Distinguished University Professor and Professor of English at Vanderbilt University. He has served as Editor of American Literature, the oldest and most prestigious journal in American Literary Studies.
Professor Baker began his career as a scholar of British Victorian Literature, but made a career shift to the study of Afro-American Literature and Culture. He has published or edited more than twenty books. He is the author of more than eighty articles, essays, and reviews. His most recent books include Turning South Again: Re-Thinking Modernism, Re-Reading Booker T and I Dont Hate the South: Reflections on Faulkner, Family, and the South. His critique of black public intellectuals titled Betrayal: How Black Intellectuals Have Abandoned the Ideals of the Civil Rights Era is scheduled for release in 2008.
Professor Baker is a published poet whose most recent volume is titled Passing Over. He has served in a number of administrative and institutional posts, including the 1992 Presidency of the Modern Language Association of America. His honors include Guggenheim, John Hay Whitney, and Rockefeller Fellowships, as well as a number of honorary degrees from American colleges and universities.SiteMason
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In 2009, Harvard University professor Henry Louis Gates, Jr. was arrested in front of his home in Cambridge, Mass. on charges of disorderly conduct. The charges were dismissed four days later but one of the first people Gates called after his arrest was his colleague at Harvard, Charles Ogletree.
The Presumption Of Guilt is Ogletree’s book about the arrest and its aftermath. In it he argues that the incident should serve as a lesson on the abuse of power by police, and law enforcement’s systemic suspicions about black men.
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By Alex Heard
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Unedited video supports Sherrods claim she wasn’t racistThe full, uncut video of a federal agricultural official’s NAACP speech purporting racial scheming, told a different story than the barely-three-minute snippet that cost her her job. Despite admitting in the edited version of the taping that she once withheld help to the couple on the basis of race, Shirley Sherrod was defended Tuesday by the wife of a white Georgia farmer. Sherrod, “kept us out of bankruptcy,” said Eloise Spooner, 82, of Iron City in southwest Georgia. Spooner, in an interview with The Atlanta Journal-Constitution, added she considers Sherrod a “friend for life.” She and her husband, Roger Spooner, approached Sherrod for help in 1986 when Sherrod worked for a nonprofit that assisted farmers. Sherrod, who is African-American, was asked to resign Monday night by a USDA official after videotaped comments she made in March at a local NAACP banquet surfaced on the Atlanta Journal / NAACP / Politico / Politico 2
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#1 – Justify My Thug by Wahida Clark #2 – Flyy Girl by Omar Tyree #3 – Head Bangers: An APF Sexcapade by Zane #4 – Life Is Short But Wide by J. California Cooper #5 – Stackin’ Paper 2 Genesis’ Payback by Joy King #6 – Thug Lovin’ (Thug 4) by Wahida Clark #7 – When I Get Where I’m Going by Cheryl Robinson #8 – Casting the First Stone by Kimberla Lawson Roby #9 – The Sex Chronicles: Shattering the Myth by Zane
#10 – Covenant: A Thriller by Brandon Massey
#11 – Diary Of A Street Diva by Ashley and JaQuavis
#12 – Don’t Ever Tell by Brandon Massey
#13 – For colored girls who have considered suicide by Ntozake Shange
#14 – For the Love of Money : A Novel by Omar Tyree
#15 – Homemade Loves by J. California Cooper
#16 – The Future Has a Past: Stories by J. California Cooper
#17 – Player Haters by Carl Weber
#18 – Purple Panties: An Eroticanoir.com Anthology by Sidney Molare
#19 – Stackin’ Paper by Joy King
#20 – Children of the Street: An Inspector Darko Dawson Mystery by Kwei Quartey
#21 – The Upper Room by Mary Monroe
#22 Thug Matrimony by Wahida Clark
#23 – Thugs And The Women Who Love Them by Wahida Clark
#24 – Married Men by Carl Weber
#25 – I Dreamt I Was in Heaven – The Rampage of the Rufus Buck Gang by Leonce Gaiter
#1 – Malcolm X: A Life of Reinvention by Manning Marable #2 – Confessions of a Video Vixen by Karrine Steffans #3 – Dear G-Spot: Straight Talk About Sex and Love by Zane #4 – Letters to a Young Brother: MANifest Your Destiny by Hill Harper #5 – Peace from Broken Pieces: How to Get Through What You’re Going Through by Iyanla Vanzant #6 – Selected Writings and Speeches of Marcus Garvey by Marcus Garvey #7 – The Ebony Cookbook: A Date with a Dish by Freda DeKnight #8 – The Isis Papers: The Keys to the Colors by Frances Cress Welsing #9 – The Mis-Education of the Negro by Carter Godwin Woodson
#10 – John Henrik Clarke and the Power of Africana History by Ahati N. N. Toure
#11 – Fail Up: 20 Lessons on Building Success from Failure by Tavis Smiley
#12 –The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander
#13 – The Black Male Handbook: A Blueprint for Life by Kevin Powell
#14 – The Other Wes Moore: One Name, Two Fates by Wes Moore
#15 – Why Men Fear Marriage: The Surprising Truth Behind Why So Many Men Can’t Commit by RM Johnson
#16 – Black Titan: A.G. Gaston and the Making of a Black American Millionaire by Carol Jenkins
#17 – Brainwashed: Challenging the Myth of Black Inferiority by Tom Burrell
#18 – A New Earth: Awakening to Your Life’s Purpose by Eckhart Tolle
#19 – John Oliver Killens: A Life of Black Literary Activism by Keith Gilyard
#20 – Alain L. Locke: The Biography of a Philosopher by Leonard Harris
#21 – Age Ain’t Nothing but a Number: Black Women Explore Midlife by Carleen Brice
#22 – 2012 Guide to Literary Agents by Chuck Sambuchino #23 – Chicken Soup for the Prisoner’s Soul by Tom Lagana #24 – 101 Things Every Boy/Young Man of Color Should Know by LaMarr Darnell Shields
#25 – Beyond the Black Lady: Sexuality and the New African American Middle Class by Lisa B. Thompson
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By Russell Simmons
Russell Simmons knows firsthand that wealth is rooted in much more than the stock market. True wealth has more to do with what’s in your heart than what’s in your wallet. Using this knowledge, Simmons became one of America’s shrewdest entrepreneurs, achieving a level of success that most investors only dream about. No matter how much material gain he accumulated, he never stopped lending a hand to those less fortunate. In Super Rich, Simmons uses his rare blend of spiritual savvy and street-smart wisdom to offer a new definition of wealth-and share timeless principles for developing an unshakable sense of self that can weather any financial storm. As Simmons says, “Happy can make you money, but money can’t make you happy.”
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By Michele Alexander
Contrary to the rosy picture of race embodied in Barack Obama’s political success and Oprah Winfrey’s financial success, legal scholar Alexander argues vigorously and persuasively that [w]e have not ended racial caste in America; we have merely redesigned it. Jim Crow and legal racial segregation has been replaced by mass incarceration as a system of social control (More African Americans are under correctional control today… than were enslaved in 1850). Alexander reviews American racial history from the colonies to the Clinton administration, delineating its transformation into the war on drugs. She offers an acute analysis of the effect of this mass incarceration upon former inmates who will be discriminated against, legally, for the rest of their lives, denied employment, housing, education, and public benefits. Most provocatively, she reveals how both the move toward colorblindness and affirmative action may blur our vision of injustice: most Americans know and don’t know the truth about mass incarcerationbut her carefully researched, deeply engaging, and thoroughly readable book should change that.Publishers Weekly
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By Rodger Streitmatter
Little research exists on African-American women journalists, even in studies of the black press. To address this gap, Streitmatter presents eleven biographies of journalists from the early nineteenth century to the present.Journal of Women’s History
[Streitmatter] finds that their attraction to journalism cam from their desire to be advocates of racial reform, that they were courageous in the face of sexism and financial discrimination, and that they used education as their entry into journalism and subsequently received support from African-American male editors.Journal of Women’s History
An historical chronology of eleven interesting and determined black female journalists.Washington Times
Rodger Streitmatter is a journalist and cultural historian whose work explores how the media have helped to shape American culture. He is currently a professor in the School of Communication at American University and is the author of seven previous books.
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A Novel by Jesmyn Ward
On one level, Salvage the Bones is a simple story about a poor black family thats about to be trashed by one of the most deadly hurricanes in U.S. history. What makes the novel so powerful, though, is the way Ward winds private passions with that menace gathering force out in the Gulf of Mexico. Without a hint of pretension, in the simple lives of these poor people living among chickens and abandoned cars, she evokes the tenacious love and desperation of classical tragedy. The force that pushes back against Katrinas inexorable winds is the voice of Wards narrator, a 14-year-old girl named Esch, the only daughter among four siblings. Precocious, passionate and sensitive, she speaks almost entirely in phrases soaked in her familys raw land. Everything here is gritty, loamy and alive, as though the very soil were animated. Her brothers blood smells like wet hot earth after summer rain. . . . His scalp looks like fresh turned dirt. Her fathers hands are like gravel, while her own hand slides through his grip like a wet fish, and a handsome boys muscles jabbered like chickens. Admittedly, Ward can push so hard on this simile-obsessed style that her paragraphs risk sounding like a compost heap, but this isnt usually just metaphor for metaphors sake.
She conveys something fundamental about Eschs fluid state of mind: her figurative sense of the world in which all things correspond and connect. She and her brothers live in a ramshackle house steeped in grief since their mother died giving birth to her last child. . . . What remains, whats salvaged, is something indomitable in these tough siblings, the strength of their love, the permanence of their devotion.
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From The World and Africa, 1965
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posted 20 July 2010